The Children (2008) as well as The Children (1980).
This will be the first in a series of several, several reviews. Tara (my wife) and I have been going out to the movies quite a bit lately and I've sadly fallen way behind on reviews. While I should probably be telling you how I feel about Funny People or Orphan, I'm going to start with this instead because, well, it's what I just finished watching. So suck it.
I started watching The Children (2008) this morning before realizing that I'd already watched the film before. I don't know if that says exactly what I want to about the film, but it's close: although it's a decent horror film, it's very easily forgettable. The only thing that makes it stand out at all (to me) is that it plays with the taboo of children killing and that some of the children are remarkable actors for their age.
Basically, the story goes as this (IMDB):
The film begins with a family of five, mother Elaine (Eva Birthistle),
father Jonah (Stephen Campbell Moore), teenage daughter Casey (Hannah
Tointon), and the two younger children Miranda (Eva Sayer) and Paulie
(William Howes) heading up to a large house to spend New Year with some
relatives. When they arrive, they are greeted by Elaine's sister Chloe
(Rachel Shelley), her husband Robbie (Jeremy Sheffield), and their two
children; Leah (Raffiella Brooks) and Nicky (Jake Hathaway).
Paulie,
who has been feeling unwell for the journey is sick outside the house,
so Elaine sees to him. While she looks after him, she tells Casey to
carry the bags into the house and Casey asks her if she has heard of
contraception. Inside, the children are enjoying themselves, except for
Casey, who is annoyed that she didn't get to go to her friend's party.
Chloe then gets annoyed because Nicky is playing with a toy gun that
Casey got him for Christmas. She then continues moaning about her
mother, who called at 11pm wanting to speak to the children, and tells
them that she hasn't invited her mother over for New Year. Paulie
climbs up on to the table, calling for Elaine, and when Jonah picks him
up, he hits him in the face.
The children start to get sick, one by one, and as they each become infected, they become cute lil' murderers. It plays out over the course of a weekend with no real twist and a very, very predictable ending.
When I found amongst the many films I download for no reason ANOTHER film called 'The Children' that was released in 1980, I was excited! Nowhere online had I read or found that the new film was a remake of another film. After watching the original film, I understand why. It's not a remake - the only similarity between the two films is that they both feature children killing people. So let's touch on the first film, which I can't honestly say is better or worse than the new one. Although they're both different, they're both... dumb. However, I expected the 1980 version to be stupid because it's released by Troma and that's what they do.
The story goes like this (again, thank you IMDB) -
Two maintenance employees of a nuclear power plant are conducting an
outdoor safety check when they become anxious to leave. Eager to get to
the local bar and have a drink, they skip part of the test.
Unfortunately a large buildup of pressure causes a yellow toxic gas to
leak from one of the pipes. The gas forms into a large cloud that
drifts across the ground.
Nearby, a school bus carrying six
students home from school is driving along the road. Cathy Freemont
(Gale Garnett) passes the bus and waves to the children, when suddenly
the large cloud of toxic gas drifts into the road. Both vehicles drive
through it.
Cathy arrives home, but the school bus is detained
somewhere. Sheriff Billy Hart (Gil Rogers) finds the bus haphazardly
parked along the side of the road, apparently abandoned in a hurry,
with no sign of the children or the bus driver. Hart pays a visit to
the home of Tommy Button, one of the children on the bus. Tommy lives
with his mother, Leslie (Suzanne Barnes), and her female lover, Dr.
Joyce Gould (Michelle Le Mothe). Leslie apparently spends her life
dazed and heavily medicated, while Dr. Gould is hostile toward the
sheriff for no good reason. She accompanies him to the site of the
abandoned bus, where she finds Tommy's things on board. When Hart
departs, Joyce goes to walk home when she spots a figure standing in a
nearby cemetery. She recognizes it as Tommy, just as it disappears
among the gravestones. She rushes up into the cemetery, where she
stumbles across the horribly mutilated body of the bus driver; he seems
to have been burned from within his clothes, his flesh horribly charred
and disfigured. Suddenly Tommy appears behind Joyce, his fingernails
black. Relieved, she sweeps him into a reassuring hug, suddenly
screaming in agony as her flesh begins to char. Tommy's hands are
roasting Joyce alive, and her burnt body falls beside that of the bus
driver.
So it goes. Murderous nuclear zombie children go around hugging the town into hamburger. Nobody seems to learn the lesson that in order to save themselves, they simply need to NOT GET HUGGED BY THE CHILDREN. Also, it's pretty easy to kill these zombie children - you just need to cut off their hands, which, if they're infected, can be distinguished from normal children by looking at their fingernails (black fingernails = zombies). This would suck hard for goth children who aren't infected obviously.
The best part about this film is just how retarded it is. The stereotyped parents of all the children in town scream out for death - they're liberals, lesbians, and drinkers. They're nudists and art collectors. As one person stated in a different review:
What actually struck me about this film however, is that it seems to
have a morally upright message. 'The Children' is mostly an
unpretentious horror film, but there's still something strange about
the grown characters if you analyze them. Most of the children's
parents are portrayed as liberal people who don't play by the rules and
guess what happens to all of them... exactly what you're thinking, yes!
All right, first we have a lesbian couple (one of them is also very
much into taking sedative pills), then we have an uncaring mother who
smokes weed and shows her boobs and then we have a seemingly homosexual
man who goes to town for no reason whatsoever. I wonder if these
characters were unusual just to add a little 'something' or if there
was some kind of hidden conservative propaganda behind the story.
So, to wrap it up: neither movie is really worth any valuable time you have, but if you're a horror buff who has to see it all, see 'em both. I can't say that I regretted watching either of them (like I could say about a lot of other films), but I can't say I'd recommend either one of them as a genuinely scary film.
I'm going to start ranking movies with *, five being the best. Seems easy.
The Children (2008) - **
The Children (1980) - **
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